With our work with different gimbals, MoviPro being our go-to tool, we are able to stabilize a shot in a variety of different scenarios.

Even before the 3 axis gimbal became a tried and true piece of film equipment, our team has been working toward making smooth, movement-focused shots that seem impossible. With the help of newer technologies that allow for almost any camera and lens package to be used, we are able to find a smooth solution for any specialty shot. Whether that is a slow-moving jib shot, all the way to a high-speed car rigged or cable cam shot. 
The primary gimbal we use in-house is the Freefly MoviPro. This kit has seamless integrated power, remote control, and video downlink. Able to fly a 20Lb payload, this gimbal can fly most Red, Sony, Arri, and Blackmagic camera builds. 
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Since we specialize in multiple ways of camera movement, this kit can be transferred easily between handheld, car rigs, dollies, and jibs. 
All around, this is a small, lightweight option to capture smooth, cinematic shots that previously would have needed a much larger on-set footprint. 
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To make all of the Movi moves, we will send at least 1 Movi Tech to make sure everything works properly on your set. Depending on the shoot and complexity of the desired shots, we will send multiple crew to help execute the most complex of ideas. 

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To capture large movements such as vehicles, our FlowCine Black arm will meet almost any need. 

This can be mounted to almost anything that moves. Cars, boats, ATVs, bikes, dollies. Hell, we even mounted this onto a lawn mower for a shoot one time.  

With mounting to moving vehicles, the Blackarm is a stabilizer that works with a variety of gimbals that could be mounted to capture smooth, high-speed shots of moving vehicles. 

This system has video downlink to allow for all operators, crew and clients to capture intricate shots from a safe distance (and not have a random guy hanging out of the back of a truck). 

The cable cam is the best example of our logo in real life. It can float through the woods, or haunt between two points in an urban setting.

The Defy Cadence is a compact cable cam option that can be used for either large live, commercial, or narrative productions, as well as being able to be hauled deep into woods to capture outdoor footage such as mountain biking or trail running. Due to the nature of being on a line system, this allows for repeatable moves in areas that would normally not be possible. 

This package can carry our MoVi package or similar sized gimbals such as the Ronin 2. 
Our 2 person team will make sure that all anchor points and rigging will safely and efficiently be set up to provide fast takes that keep all on set safe. 
The Cadence can go up to 35 mph with a length of 600’ max.